Book Review: A Day in a Medieval City

A Day in a Medieval City, Chiara Frugoni

University of Chicago Press, 2005 ISBN: 0-226-26634-6

(Originally published as Storia di un gionro in una citta medievale, Laterza, 1997)

Chiara Frugoni is a professor of medival history at the University of Rome, and this book builds on articles written by her father, Arsenio Frugoni, who died in 1970 and who was also, in his time, a professor of medieval history at the University of Rome.

The book begins with an introduction consisting of Arsenio Frugoni’s original work, which vividly captures the feeling of life in an eleventh or twelfth century Italian city, as well a brief perspective on how it reached its medieval form. Chiara Frugoni adds seven chapters that explore various themes ( “Inside the City” “Childhood Learning”, etc.) in more detail. It seems to me she draws the majority of her examples from the late medieval period (14^th and 15^th centuries).

The book is written for adults, both in reading level and content, but is very approachable for the hobbyist-historian. Someone who has never studied medieval history at all might be more comfortable reading some more introductory works first, and going to this one as a sort of ‘intermediate’ level text. Detailed endnotes add another layer of depth.

This is a book I can’t help but like, despite several reservations I’ll mention below. The vividness of detail is positively delightful, and with little to none of the gee-whiz snappiness that plagues many popular works on medieval history. For example there is an exploration of the role pigs played in the city (as garbage collectors), including period accounts of pig-related incidents. If you are looking for illustrations of medieval dress and furnishings, there are 153 images available for your perusal.

The most compelling feature of the book is this enormous collection of (period) illustrations it contains, and the explanations that go with them. A typical medieval history book might have a caption that gives the title, author, date and place of creation. Chiara Frugoni puts detailed descriptions in the text of the book, often describing a work panel by panel, to help draw the eye to details the reader would otherwise overlook or perhaps not comprehend at all.

[A note of caution: the illustrations include all aspects of medieval life. Including, say, the torture and execution of captured enemies. Not for the faint of heart. On the other hand, haven’t you always wanted to see a little toilet-related artwork, and the discover the story that goes with?]

One of the weaknesses of the book, though an understandable one, is that it flits back and forth through a broad time frame, even within paragraphs. Topics are arranged by theme (medicine, education, religious belief, etc), and often the entire medieval period is treated in the aggregate. It is helpful to have studied the timeline of medieval history elsewhere, so that you can parse apart references that mix and match centuries.

This is probably one of the first works on specifically Italian medieval history that I’ve read, and I think I probably missed a few jumps between cities as well. I liked the work because it dealt with a region I hadn’t previously studied (most lay-accessible english-language books on medieval “Europe” tend to focus on England), but as a result, I really didn’t have the capacity to know just how alike or different, say, Venice and Milan might have been at the time, and whether an anecdote from one city reliably shed light on the other.

Last in my list of complaints, there were moments when I thought the generalizations needed a little more documentation. For example, at one point the author writes in a passage on women reading, “They used reading stands made for the men of the house (it is difficult to imagine that they were built to meet the particular needs of women)”. Now this may be entirely true, and yet it is a terribly bold statement to make – here we are looking at illustration after illustration of women reading, and we are to believe that in this time and place men didn’t give their wives gifts related to their daily activities? It may well be the case, but any time you accuse whole gender of utter selfishness towards their own family members*, it would seem appropriate to present a bit of evidence.

Likewise there were times when I wanted a little more context for a quotation. I found myself wondering, Is this preacher condemning something that is widely practiced, or is he largely “preaching to the choir”? Is his opinion widely held in the church, or was his sermon preserved because of its unusual nature? I also wish the references to witchcraft had been footnoted – so many excellent footnotes elsewhere had me spoiled, I suppose.

And I think these last examples sum up my mixed feelings towards the work as a whole. It’s a beautiful book, a splendid look into a region that isn’t as well known to English-speaking readers, full of detail after vivid detail about medieval life. But it is a book you would want to read with a bit of salt handy – hold onto the treasure trove of illustrations and anecdotes, but be prepared to want to question some of the interpretation.

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*In our home the accusation tends to be kind of the reverse. “Oh honey, how thoughtful! A reading stand? For me? It’s just what you’ve always wanted!”