Tiber River is the catholic media-review project sponsored by Aquinas and More Catholic Goods. After a few false starts, I finally got going as a reviewer this past week, with the DVD Father of Mercy. I chose it from the available review items because it seemed like a good fit for my eldest child’s study of just warfare this year. Not disappointed. Not at all.
What It Is: Father of Mercy (“The Children’s Angel” is the Italian title) is the made-into-a-movie telling of the story of Father Carlo Gnocchi, an Italian priest who served on the front lines as a chaplain in World War II, and afterwards undertook a massive work of mercy taking care of the many children injured and/or orphaned by the war. Fr Gnocchi was beatified in 2009, and the network of hospitals he founded is still in operation
The story is told in two parts. Part one begins during WWII, and tells of Fr. Gnocchi’s decision to leave his post as a high school teacher and university chaplain, and go to the front lines – first to the Albanian front, and later to the Russian front. Part II picks up during the Italian/German retreat from the Russian front, and tells the story of the vast works of mercy that Father Gnocchi undertook once back home. The two stories are told seamlessly in a single narrative, Part II literally beginning right there in the snow where Part I ended, with only a short intermission-style bit of music to tell you at the end of Part I to please go to bed and take it up again in the morning. (Total running time is 200 minutes.)
The DVD also includes a short study guide produced by Ignatius Press – excellent supplement, very helpful, provides both some historical background and a good breakdown of the moral issues presented in the film.
The story is somewhat fictionalized – timeframes are compressed or glossed over, and some real events are told via fictional characters (ie: Father Gnocchi did donate his corneas, but he donated them to others than the person depicted in the film). There is a love triangle among three youngsters thrown in for the purposes of building up of themes, and frankly in order to keep more of a plot going through the second half. (One of the supporting characters also helps ground us morally as the others are headed off to war in support of fascist Italy.)
What I Thought: Well, it was exactly what I had hoped. My boy watched the whole thing through in English, and hung around for a second viewing in Italian. (He tells me the light weapons were all authentic to the period, though he couldn’t verify the tanks.) We got to see a heroically-brave priest (and some heroically-brave soldiers), the honest horrors of war, and the waging of peace. More than I had hoped for: We get a film that is morally complex without being morally ambiguous. A mother and a catechist falls in love – yay! It’s a keeper! This is a movie you are perfectly happy for your youth to watch over and again. Even better: That study guide is VERY HELPFUL for those who need some assistance navigating the moral complexity.
But Was It A Perfect Film? No. Here are a few things you should know up front, so you don’t send me hate mail because I said it was a great movie and it turns out it triggered a pet peeve.
- I don’t usually mind voice-over, but . . . it sure seemed to me like the original Italian had much more depth and vivacity than the English voice-over. And there are a couple spots in Part II where children-extras sound like they’re being faked by adults. Subtitles were fine.
- I don’t do the “drama” genre much . . . so to me, the intensity of the playing pushed my suspension of disbelief, particularly in Part II. Part I held up fine because war, well, it really is that dramatically intense. But in Part II, I’m afraid I maxed out on the warm-hearted orphan scenes. (I would have preferred a good accounting-thriller for Part II. That’s a lot of hospitals the man founded – how come we only get to see the funding of the first one?? But perhaps my tastes are in the minority there.)
- The story-telling was not as neat as I’d have liked. Some of the supporting characters were a little thin, and at times character development and plot points felt abrupt. Part of it, I suspect, was the effort to squeeze such a rich story into limited minutes. [Note: My children complained about none of these things, and probably most people who are used to watching TV and stuff wouldn’t notice either.]
I would say above all, and this is not so much a problem as a fact: There is definitely a genre divide between Part I and Part II. Part I is an intense WWII film, and very honestly it is exactly the one I wanted. The portrayal of war rings true with what I have heard from combat veterans, and it is stunningly lovely to see difficult questions of faith dealt with in a war film, with no namby-pamby mushy platitudes for the conclusion. Part II is more soap-opera-meets-warm-hearted-family-drama. (I know many people who would hate Part I, love Part II. It’s a taste thing. Though I think there is actually more kissing in Part I, hehe.)
And speaking of kissing, violence, graphic horrors of war, etc . . . the film is not rated. I give it a solid PG-13. Language is clean, kissing scenes are strictly kissing. (And not for nearly as many seconds as a certain 10-year-old-boys complained.) But the war violence is definitely there – scary, suspenseful, morally demanding. At times you get to see good guys do the wrong thing. And though the gore is very restrained, blood does spurt and wounds are shown; whole corpses (no piece parts) lay about in those places corpses are wont to lay, often with faces clearly visible. We see the lead-up to an unmedicated amputation, and there is a firing-squad scene where Fr. Gnocchi blocks our view right before we hear the shots fired.
Summary: I’m very glad I got this DVD – it was everything I had hoped and then some. Inspiring, well-told despite my quibbles (nicely produced, by the way), pleasure to watch both times through. I definitely felt pushed and moved – this is a story that stuck with me. My boy was inspired to go learn more, so it was an academic success as well. I give it a “buy” recommend if you want a solidly catholic movie that fits this era and these genres.